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The March cover was, and still is, only the second CRASH cover to feature a photograph as it's main element (the first was Issue Six's, a photo of several assembled pieces of Oliver's artwork). Max Headroom had become something of a cult on TV, and for the subsidiary pictures Oliver drew on images from the specially-made feature film about how Max came into being. The trouble was that as Max was already a created image, Oliver thought painting him ran the danger of making him less than instantly recognisable, hence the photo. |
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